Using the Gain rotary, slowly invert the gain of all bands. After some time has past click Match, then use all 24 bands available and select Finish.Īfter deleting some of the more extreme bands, highlight all bands at once. Play the track and let the EQ mirror the two frequencies. Next, in the analyzer section at the bottom of the plugin, click on EQ Match, then change the reference to your external side chain. Place the Pro-Q 3 on 1 of the 2 tracks you want to affect, then use the side-chain to include the other track or instrument bus. This is roughly what your final result should look like. It’s called an inverse eq technique and is used to separate the frequency spectrums of 2 similar instruments or groups. EQ Matching Allows for an Inverse EQ TechniqueĪnother great feature of the Pro-Q 3 is EQ matching which allows for one of my favorite eq techniques. To alternate between these 2, grab the translucent bands with the arrows, and move them either up to expand, or down to compress.ĭrag the band up to expand, or down to compress. This dynamic equalization can be used for both compression and expansion. You can fine-tune this threshold in the band’s window below - but if you’re in doubt, the automatic setting works pretty well. The band is now dynamic based-on an automatic threshold. Many of us know that the Pro-Q 3 can make up to 24 bands - but it’s surprising to hear that each one of these bands can be made dynamic.Īfter you create a band right click it and select ‘make dynamic.’ Like some of the things on this list, this feature is pretty easy to miss if you don’t know about it beforehand.įor more EQ plugins, check out our video of 10 free ones: Once the text is highlighted white, click, and use your mouse or track-pad to zoom in.Īlthough this doesn't seem crucial at first, this can be really helpful if you’re trying to create a very specific band shape, or combine multiple bands. To do this, hover your cursor over the text of a particular frequency in the main window. If maximizing the window to full-screen wasn’t enough, the Pro-Q 3 lets you zoom in on the frequency spectrum.īy clicking the frequency number, and moving your mouse upward while holding click down, you can zoom in. What’s great is that since the plugin’s resolution is 4k, it looks just as good on full screen as it does when minimized. On the top right of the plugin is the full screen button. By clicking the arrows icon in the bottom right of the plugin you can alternate between 5 window sizes.īut, if you’re looking to really focus on what you’re doing, you can make the plugin full-screen by clicking the box icon in the top right. Plugins can often be resized, but a full-screen mode isn’t common. The Display is 4k and Can be Made Full-Screen We’ll master it for you and send you a sample to review. If you’re an artist or an engineer, and you have a mix that you need mastered, send it to us here: Additionally, we’ll listen to real-time examples of some of these features, so check that out in the video embedded above. We’ll cover some of it’s rarely discussed features as well as discuss how they’re useful. That’s why we wanted to highlight some of the obvious and not-so-obvious aspects of the Pro-Q 3. Whether you’re using it for mixing or mastering, there are some features that may have slipped past you. The FabFilter Pro-Q 3 is a popular, yet rarely fully understood plugin. Mid-Side, Stereo, and Left-Right Placements are Offered.Frequency Collision Indication is Available.7 Different Latency Types Make it Perfect for Mastering.There are 9 Available Filter Types and a Gain-Q Setting.Bands can be Snapped to Notes Using a Piano Roll.EQ Matching Allows for an Inverse EQ Technique.You can Zoom In on Specific Frequencies.The Display is 4k and Can be Made Full-Screen.
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